For "Thinking Magicians"

A “Thinking Magician” rejects the limits & clichés of today’s trite & stale ideas of what a “magician” is or how “magic” is performed. Along with skill, a Thinking Magician uses creativity & imagination, to perform “outside the box” championing the original & theatrical. Whether Theatrical Magic, Bizarre Magic or Story Magic this Performance-Art raises the magical craft above the mundane, immersing audiences in an emotionally rich & dramatically satisfying environment. © 2005

Monday, November 03, 2008

Showcase Guest at Third-Saturdays

This month our Showcase Guest at Third-Saturdays is--

Magician and Mindreader extraordinaire Brian Scott!


There’ll be Magic with David Miller and Walt Anthony as well!

Join Us on Saturday, November 15th

“TALES OF WONDER AND SHADOW”

8:30pm Sharp!

The Third-Saturday Evening Series at


THE CABARET THEATRE
@ the Alano Club (Clean & Sober)
1748 Market Street, Second Floor
(Between Octavia & Gough Streets)

$25 Cover-Charge Donation www.MagicParlor.Info

(Half Price Tickets: www.Goldstar.com)

Café Open for Soft-Refreshments

www.SpellbinderEntertaiment.com
www.ParadoxMagic.com

www.BrianScottProductions.com

___________________________

Magical Raconteur:
Magical (adj.) Raconteur (n.):

A storyteller who excels at recounting entertaining stories with style, wit, and charm

whilst demonstrating mysterious powers to transform or enchantment.

"TALES OF WONDER AND SHADOW”
-An Evening of Magical Enchantment-
The Alano Club (Clean & Sober)
1748 Market Street, Second Floor
8:30pm Sharp!
August 16 / September 20 / October 18 / November 15
$25 Cover-Charge Donation
www.MagicParlor.Info

Friday, August 01, 2008

Third-Saturday Showcase Each Month With Friends!

Three-Wizards Presents

“TALES OF WONDER AND SHADOW”
-An Evening of Magical Enchantment-

THE CABARET THEATRE
@ the Alano Club (Clean & Sober)
1748 Market Street, Second Floor
(Between Octavia & Gough Streets)

8:30pm Sharp!

The Third Saturday Evening Every Month!

August 16 / September 20 / October 18 / November 15

$25 Cover-Charge Donation

(Half Price Tickets: Goldstar.com
& ALANO Club Members)

Featuring:
David Miller ~ Walt Anthony ~ Ruth Fraser ~ Guest Artists

Café Open for Soft-Refreshments

Reservations: www.MagicParlor.Info

“Magical Realms of Legend and Lore await you-- where you’ll be invited to explore Alternate Realities and Enchanted Lands-- leaving the Rational World behind.”

Join us on a journey of astonishment and mystery, “Tales of Wonder and Shadow” is an evening of intimate, elegant, magical enchantment and tall tale-telling!

Our three headliners, David Miller, Walt Anthony, and Ruth Fraser can boast over fifty-years of entertainment excellence. Many evenings will feature magical guest performance-artists from the Bay Area. The Cabaret Café will be open for soft-refreshments.
__________________________________

A Magical Raconteur:
Magical (adj.) Raconteur (n.):
A storyteller who excels at recounting entertaining stories with style, wit, and charm
whilst demonstrating mysterious powers to transform or enchantment.

Monday, September 24, 2007

Autumn Update: Spellbinder Entertainment’s Magic Projects!

Wow, what an August it was! And now we’re deep into September and Autumn’s upon us. I’ve had some welcomed down-time and have been working on multiple projects.

Since 1998, when I first attended Mystery School, I’ve been doing in-depth research on a number of local San Francisco historical characters. One in particular, Mary Ellen Pleasant (or “Mammy” Pleasant in less politically correct times) was a mysterious, complex, and dramatic personality.

It struck me that Mrs. Pleasant’s adventures would be a great to explore in the guise of a Theatrical Haunted Séance. Her story is so complex, and the task of wrapping it around magical happenings in a dramatic context so daunting I ran into some major writer’s blocks.

However late this Summer the brick walls exploded into bits, and I’ve been madly working on the structure and script for what I believe will be an amazing and totally unique form of entertainment. We plan to make our Haunted Séance portable enough so it may be given in homes or at event locations, and hope eventually to find a local San Francisco site where we can install it as a permanent offering.

Her life was controversial to say the least, and by presenting all sides of the equation I think we’ll take some “heat” from her historians and fans alike. We’ve put up a preview site at www.HauntedSeance.com and though we’re jumping the gun a bit, we hoped to get your thoughts and feedback on this project.

If you’ve followed this Blog you know we presented a fragment of our other “local interest” show at the San Francisco Theater Festival in late July.

We did quite a bit of PR on this project called “Eccentrics of San Francisco’s Barbary Coast” to see if there would be an “audience” for this type of Performance Art. Well, our performance space had some 70 seats, and we ended up wall-to-wall standing room only with about 120 spectators crammed into our show! With double capacity the show was rough, but we got lots of great feedback.

I guess we’ve found something of interest! So David Miller (of Paradox Magic) and I will continue our collaboration, working on the full-length version, all the while trolling the city to find a permanent home for San Francisco’s Magic Parlor to be reborn, featuring our “Eccentrics” show of local lore and magical happenings. Again feel free to drop by our temporary site at: www.SanFranciscoMagicParlor.com .

There’s more on the fire, but being in negotiations on one performance project I’d better not let the cat out’a the bag as yet.

October begins the “busy” season leading up to Halloween shows and then off on a steady sprint though the Holiday Shows doing both corporate and private parties through New Year’s Eve. A gig in New Orleans is in the offing as well as the isle of Manhattan,.

I’ve been looking for more opportunities to perform my magic in the San Francisco Bay Area, so if you’re in need of quality entertainment and enjoy long-ago-far-away Magical Performance Art performed with style and flair, give us a call and we’ll see what we can “conjure” up for your next event!

As always, feel free to ask for our assistance in planning your next event and entertainment offerings! Visit: www.BestCorproateMagic.com .

Magically,
Walt

Wednesday, June 13, 2007

“ECCENTRICS OF SAN FRANCISCO’S BARBARY COAST” At THE SAN FRANCISCO THEATER FESTIVAL 2007

Spellbinder Entertainment & Paradox Magic Present

“ECCENTRICS OF SAN FRANCISCO’S BARBARY COAST”
A Magical Escapade

With WALT ANTHONY and DAVID MILLER
Directed by STEPHEN DREWES

At THE SAN FRANCISCO THEATER FESTIVAL 2007 (Yerba Buena Gardens)
In the METREON -2- Digital Solutions Space, Second Floor

On SUNDAY, JULY 22nd at
1:45pm Sharp! (until 2:20pm)

Join us on a Magical Journey back through San Francisco ’s colorful and notorious past! “Eccentrics of the San Francisco ’s Barbary Coast ” abounds with local lore and legend.

Magical performance-artists Walt Anthony and David Miller, under Stephen Drewes expert direction, deliver wonder and enchantment for their audiences to savor, with memorable portraits of wild-and-wooly characters of the Old West.

Distinctive and elegant, the show features exceptional Storytelling-Magic and anecdotal vignettes presented with a theatrical flair.

Our escapades include:
Chronicling the times our City was destroyed-and-rebuilt between the Gold Rush and the Pan Pacific International Exhibition, the toll local Vigilantes took on Barbary Coast life, and tall-tales of beloved Emperor Norton, despised Shanghai Kelly, boisterous entertainers Lola Montez & Lotta Crabtree, and the infamous Mary Ellen Pleasant.

THE SAN FRANCISCO THEATER FESTIVAL 2007

Seventy professional Bay Area Theater Groups and Solo Artists will perform upon TEN stages, all located within the YERBA BUENA GARDENS COMPLEX from 11am to 5pm.
It’s an amazing and unique one-day FREE event.

The event runs the gamut from comedy-to-drama, musical-to-improv, hip-hop-to-solo, Shakespeare-to-children’s-shows, all at the San Francisco Theater Festival on Sunday, July 22 all at Yerba Buena Gardens.

Information: 415-771-6606

“Shimmering fairy tales are Anthony’s métier…conjuring up a façade of bygone elegance”…
- San Francisco Chronicle-

“Mr. Miller of Paradox Magic delivered on his promise to provide a first class show for our conference attendees, his captivating after dinner performance was like having a second dessert!”
-Pete Richards, Artisan Restorative Welding-

Sunday, March 25, 2007

“The Legacy of the Magicians… a poetic fable”

THE LEGACY OF THE MAGICIANS... a poetic fable


The shadows of the cave and the flames from the crude fire,
play upon the cramped and naked body of the young girl,
her mouth twists in agony, and her sharp cry echoes through the cavern.

An old woman draws a sign upon the girl’s forehead with red-clay paint,
she then blows on a small dark-blue stone, murmuring odd words,
an presses it into the younger woman’s palm to squeeze hard.

A faint smile of gratitude flickers on the young mother’s lips,
and she clutched the blessed stone in her fist with all her might,
knowing that her newborn would live, and she would live to nurse him.

Masked terror stares out from every pair of eyes around the tent,
the sturdy brave young men had been trained to ignore its presence.
Images of their brothers, wives, or parents swam within their taut brains.

The old medicine-man chanted loudly in the smoke-filled chamber,
he drew unrecognizable symbols on the dirt floor with a charred stick.
The sweat of fear and the odor of doubt pervaded the heavy air.

Then the old man looked up and a single flame shot from his fingertips,
piercing through the haze and tension of the tent and lighting his smile.
Victory! He declares to the men, and their hearts beat once again as one.

A coin was exchanged between the hand’s of the youth and the blind man.
The blind priest pressed the small golden coin to the center of his forehead,
and proclaimed that the will-of-the-gods would be foretold that very day.

In due time, for the coin, he gave a small white feather to the youth,
and told him, were he to lay that feather at the feet of his beloved’s father,
the charm would be made, and the father would give consent to the marriage.

The woman was barely aware she was in a theatre and watching a show,
her mind and heart were with her eldest son who’d again entered drug rehab.
She did not want to be entertained, she only wanted her son back.

Then the small golden ball floated up from the magician’s hand, and indeed,
the little sphere seemed to dance to the music of Puccini’s Humming Chorus.
A tear fell from the woman’s cheek and hope was reborn, her son might live.

The man in the back of the hall was focused on the loss of his job that day,
he did not hear much of the story the performer told, how was he to survive?
He was no longer young, his hair silver, would anyone want hire him again.

Then the story being told of the little village who had lost their faith, and their bell,
in the town square that would no longer ring, awakened his attention to the stage.
The magician caused the bell to ring again, the man knew he’d find work somehow.

He’d applied to several universities, but his grades did not promise a scholarship,
he wanted to become a doctor in the worst way, he knew that now, maybe too late.
One more school had yet to respond, would he be accepted into their program?

The magician directed him to take his wallet from his pocket, and look inside.
There beside a few bills and his driver’s license was the Ace he’d chosen.
Maybe, just maybe, that Ace of Hearts would be the luck he needed for college.

Sometimes I think they just pay me to tell stories or make things seem magic.
Sometimes I think what I do is not important, maybe just wastes everyone’s time.
Then I remember the girl in the cave, the brave warriors, and the young suitor.

What I do with my life, and my livelihood, can be traced back to the start of time.
What I do entertains yes, but also can do what the shaman and priest did then.
It can bring a smile, but it may also rekindle hope, heal a heart, inspire greatness.

Walt Anthony, Conjurer & Teller-of-Tales
Corporate Event Entertainment and Motivational Magic
“spinning tales and weaving enchantment”


© 2007 Spellbinder Entertainment

Friday, March 16, 2007

Does Corporate Business Need MAGIC to Manage and Thrive?

DOES CORPORATE BUSINESS NEED MAGIC TO MANAGE AND THRIVE?

Corporate Event Entertainment is a fascinating industry to work in, I love being part of these invigorating ventures.

I may participate in a meeting or conference as an after banquet entertainer, or I may be hired as a keynote speaker, or I may be booked to support a motivational training initiative, by facilitating workshops, processes, or trainings on Leadership development, Team building, or Sales techniques.

Whatever role I fill or “hat I wear” at a corporate or business event, I am booked because of my singular ability to skillfully intertwine magic and storytelling into the theme or topics being focused upon.

So most of my work is in the business arena, performing or facilitating at a wide range corporate events, for sophisticated and professional adults… yet all the services I offer are filtered trough magical-happenings and storytelling-episodes, and even serious subjects are lightened with an aura of entertainment!

How odd is that?

To me this demonstrates there is an obvious need for magic and the magical, within the highly structured life of every contemporary adult working in the corporate world.

Why would that be?

Why would the Fortune 1000 companies bring in the services of entertainers, magicians, storytellers, and motivators to hone their mission, goals, training, and marketing projects?

I’ve arrived at a few conclusions after talking over my theories with a number of my business clients…

First-- we live in a difficult world. Never in history have our lives been so fast-paced, demanding, information-filled, and results-oriented.

Events that occur a world away are brought to the forefront on our television, computer, or cell-phone screens within a matter of seconds.

Those global events impact our daily lives more than ever, and many of the facts and images which insistently bombard us are confusing, brutal, frightening, or even cataclysmic… yet we need to function under these circumstances, and cope efficiently in both our personal and professional lives.

I’ve grown to believe that, as adults, we need the comfort and optimism made available to us by once again choosing to make-believe in the hope and Magic …of the tooth-fairy, santa-claus, the easter-bunny, elves and wizards… even more than our children do, even if it is only for a few minutes of respite from our overwhelming existence.

Allowing “the Magic” to be present in our imaginations, and so become a part of our reality, somehow makes it possible to meet the challenges of our rapidly expanding world and our responsibilities in it. We can do our jobs better and on a bigger playing field if an undercurrent of hope, positivism, and possibility is present.

Cutting-edge corporations are beginning to recognize this as well, and are budgeting their events to include inspiring performers, speakers, and facilitators like Spellbinder Entertainment, to take full advantage of this phenomenon.

Second-- businesses are realizing that there are sophisticated and practical uses for storytelling and magic beyond mere entertainment, or the divertissement of children.

Historically the Art of Storytelling was more than a pleasant way of passing time, it was determinedly used to inform, instruct, chronicle, archive, motivate, train, bring clarity and inspire.

Throughout history, exclusive of entertainment value, the Art of Magic has been utilized to govern, astonish, enkindle, restore, collaborate, unite, heal and influence.

Serious business contenders in our global economy have come to the realization that to impact both their employees and their marketplace, they must invest in these same time honored techniques of:
- informing and instructing,
- inspiring and influencing,
- training and motivating,
- collaborating and uniting,
- and managing and leading,
just as our ancient ancestors did to develop their associates, brand their products and gain market share, and assure a sizable return on their investments.

This means, that whatever the business goal, or whatever events, conferences, meetings, trainings, or celebrations are scheduled, their agendas can be better and more efficiently achieved when offered within the context of focused and skilled Magical Storytelling.

Both art-forms, tale-telling and magical-performance, bring clarity, engender deep emotion and tap into primal and archetypical instincts, and thus are exemplary tools to bring home marketing, advertising, training, and motivational messages.

They make the complicated or difficult to swallow “go down with ease” and lock in crucial information, by aligning vivid and tangible examples in the human imagination, with the memories associated with that experience.

Do companies… from expanding small businesses to the Fortune 500… need the tools of magic and storytelling to manage their teams and leaders, and to thrive in an increasingly competitive and expanding marketplace?

Considering the value these two skill-sets can bring to encourage, enable, and motivate employees… as well as the impact they have on project management, sales edge, customer satisfaction, and market share, it may not be necessary, but it might be foolhardy not to invite a Corporate Wizard to entertain or facilitate at your next important event!

Magically,
Walt
Spellbinder Entertainment © 2007
www.BestCorporateMagic.com

Thursday, February 08, 2007

Magical Updates and Things to Check Out!



Hello Colleagues, clients, friends, and blog-readers--

I just wanted to mention I've consolidated all the pertinent information on me (Walt Anthony) and my work (Spellbinder Entertainment - Best Corporate Magic) all in one easy to find spot on the web, if you Google my name you'll find a link to my profile on Naymx.com

And, while I've got your attention, if you have not yet requested a copy of our comprehensive booklet on finding and hiring the most appropriate, suitable, and perfect entertainment for your next event, email me for a complimentary copy.

We're not always the best choice of what you need, but we often are, and above all we want all your events and celebrations to be a huge success.

And while you're at it, drop us a line and we'll send you our Showcase DVD, to keep you up to date of what we're offering our clients and audiences!

We're branching out in offerings especially for our corporate clients, be sure to learn more about The Leadership Challenge Workshop and how to create spellbinding leaders within your organization.

So now you've got the scoop!
Magically,
Walt

Wednesday, February 07, 2007

Corporate Magic from "The Leadership Challenge"


Inspire Spellbinding Leadership

CREATING SPELLBINDING LEADERS
Within Your Organization:

• We are qualified to facilitate The Leadership Challenge Workshop ® model utilizing authors Jim Kouzes’ and Barry Posner’s "Five Practices of Exemplary Leadership" as the foundation of Spellbinder Entertainment’s Leadership Programs and Training Workshops.

• Based upon The Leadership Challenge ® model (as outlined in the best-selling book of the same name) and backed by 20-plus years of solid statistical research.

"Leadership is everyone’s business"

• Our programs and workshops use group dynamics and interactions, along with original magic to illustrate, apply and integrate the model using a forthright practical approach.

"The most trusted source on becoming a better leader"

Learn more about the 360 degree Leadership Practices Inventory and
The Leadership Challenge Workshop® at
www.LeadershipChallenge.com

415-771-6606 or 888-Walt-Magic - Info@SpellbinderMagic.com

Nationwide - Worldwide
“Miracles For Your Every Corporate Occasion”

Tuesday, February 06, 2007

A Thought in the new year: Magic is an Art!

Magic is an Art!

Magic is one of many Art-Forms.
Therefore, Magicians are ideally...Artists.
Period.

This is not considered, nor made reference to, very often.
Few magicians feel very comfortable confronting this.
The very concept may very well overwhelm the majority.

But among the Fine-Arts, Magic is (or should be, or can be) one of the genre.

Yup, I’m saying right up there with paintings of Monet and Renoir
and operas of Verdi and Puccini, even the Plays of Shakespeare.

Of course, OK, let’s get real here...

A one brief tour of YouTube Video offerings found under a “magic” search,
or even a visit to a magician’s convention or local club,
will convince you that it’s in NO way-shape-or-form an ART...
nor could it ever be.

But that is just not true...
Look at this list of ten examples of living magicians…
who know they are Artists producing Art:

-Jerome Murat
-Andrew Goldenhersh
-Kostya Kimlat
-Robert Neale
-Tina Lenert
-Christian Chelman
-David Parr
-Jay Scott Berry
-Dirk Losander
-David London

...and perhaps, you could add another ten purely magical artists to this...

But not a lot more--
We’re not talking commercially successful, or coolly-hip, or majorly famous,
we’re talking consummate, consistent, charismatically magical artists of today.

I believe there are a number of qualities which bring Magic to the state of Art:

Number One -
for me is succeeding in making magic...MAGICAL in nature.
Much magic seen today is anything but wondrous, enchanting, or miraculous.

Number Two –
quality; is that of polished, professional-quality theatrics.
As a performance-art, magic shares the same theatrical qualities and needs in common with plays, operas, musicals, ballets, and other performance-based artforms.

This means they need motivation, scripting, staging, flow, emotionality, acting, and direction, as well as production values and artistic design.

And Number Three -
in my list of qualities is having purpose, meaning, or significance, as the performance relates to human life.

When a well-prepared and rehearsed piece of magic is performed with a specific idea or intent behind it, by an imaginative, disciplined, and skilled performer, the result is as entertaining and emotionally-satisfying than anything you’d ever find in a museum or concert hall.

But first, as “magicians” we must realize there can be MORE to our magic than “moves” and “jokes”...we must admit we are potentially “artists” and approach our Work with that mindset.

Study of the other performance arts and the history and modes of our own is necessary, along with much more creative effort and hard work, as well as building a team of other artists skilled in writing, directing, and production to support our vision as necessary,

One of the problems with magic today is that it is seen as a solitary pursuit.
We think we can, or have to, produce something wonderful all on our own.

The Performing Arts by nature cry out for collaboration!
There are just too many aspects to an entertaining performance to be mastered by one lone performer.

There is much we can learn from the worlds of theatre, fine art, music, and dance,
and all these can be seamlessly integrated into our acts to make our magic far more Magical in nature and design.

Wouldn’t it be wonderful if even half the magic videos on YouTube were stunningly beautiful, amazingly skillful, and astoundingly enchanting little pieces of a theatrical nature...rather than under-rehearsed, clumsy performers, stumbling through some standard card trick or illusion, stuttering meaningless words, and unsure of his next movements?

I believe we can strive to be SO much more than we are if only we participate in supporting one another as practicing Artists...and demand and expect ONLY the best from one another!

Magically,
Walt
Want to network?
Or wish to comment on my work?
I'm now listed on LinkedIn.com
(it's sort'a the MySpace for adult business professionals)
And it would be great to meet you there!
Walt-

View Walt Anthony's profile on LinkedIn

Sunday, November 12, 2006

Request Your Free Copy of "FINDING THE PERFECT ENTERTAINMENT FOR YOUR EVENT"

Hello!
It's hot of the press and ready to assist you with your holiday event planning!

We've been compiling information to create a comprehensive tool to help you book entertainment for your next event!

Great techniques for individuals, party planners, corporate event planners -first time or experienced- we've got great advice!

Our complimentary booklet
"FINDING THE PERFECT ENTERTAINMENT FOR YOUR EVENT"
is available to you at no cost, just make your request by
calling us at 415-771-6606
or email Info@SpellbinderMagic.com



If you answer “yes” to two or more of the questions below- this guide will help you!

• Were you selected to book entertainment for your organization’s next event?
• Is this the first time you’re responsible for event planning?
• Feeling pressure to find the highest quality entertainer within your budget?
• Do you feel it’s up to you to make certain the event is a complete success?
• Are you finding it confusing to unravel who’s adequate, who’s good, and who’s best?
• Overwhelmed as you don’t understand differing styles of magical entertainment?
• Unsure of what show or magician would be a perfect company match?
• Afraid the act you hire will show up in a polyester suit with a card table of bad tricks?

Then please take a few minutes to learn about the best methods for unearthing and interviewing event entertainers, and why Spellbinder Entertainment might be on the short-list of the perfect choice for original, quality, professional entertainment!

• Want to make your event Sparkle!
(and look like a “star” in your group’s eyes?)

Spellbinder Entertainment has prepared this booklet to assist you in understanding the process and steps to take when choosing the best entertainment for your future event.

If you’re new to event planning this will help make the process efficient and enjoyable, if you’re an experienced party planner, you might find a few shortcuts which will help pave the way to another successful booking.

Saturday, November 11, 2006

Spellbinder's DVD Showcase Now Available!

Wow, it's been a l-o-n-g voyage of discovery.

The good news is Spellbinder Entertainment's first DVD Showcase of live Magic with samples of our performance style has been produced, and is ready for distribution!

If you're looking for event entertainment, all you have to do is give me a call or email and request a copy of the DVD and we'll take care of it for you.

Thanks for everyone's support in producing this, especially Houston for the great voiceovers and 3rd Light Digital for the amazing editing and authoring.
Magically,
Walt

Tuesday, February 21, 2006

The ICBM West Mini-Gathering Has Ended!

The ICBM West Mini-Gathering Has Ended!

Compeers,

The Last of the celebrants departed.
The halls are locked and hollow.
The hotel rooms now vacant.

The ICBM West Mini-Gathering has ended.
And San Francisco returned to the mundane.

It is with gratefulness I acknowledge,
the participation,
and the magical presence of each
Attendee,
Presenter,
Performer,
Participant,
Volunteer.

I hope some will write of their impressions and experiences,
here in this or other forum during the weeks to come.

I hope we brought a bit more Magic
into the lives of local magicians
and their friends
and family
who attended our events.

I hope those who visited are bringing Magic,
back to wherever their communities are.

I hope everyone was challenged,
or mystified,
or befuddled,
or made to wonder,
or just think a bit deeper,
during at least one segment of the weekend.

The Magic for me was simple and profound…
as Good Magic always is…

Individuals came from near and far,
brought whatever gifts they had to give,
selflessly spread those gifts before others,
and none
none of them,
were paid or cajoled to do so.

They covered their travel expenses,
large or small.
They paid for their own lodging
and their own sustenance.
Yet, hey brought their best
and shared their best.

Only, because…
they nurture a love of Magic in their hearts!
Their intension was to expand that Magic and love.
And what a wonder that was to see!

Thank you again,
to all who were here in San Francisco,
and to all those who were only here in Spirit!

Magically,
Brother Walt

Outer Circle # 4 of The Thirteen,
The Inner Circle of Bizarre Magick
Western States USA.

“THAT HOUDINI”: A COIN-IN-CAN PRESENTATION

OK, a signed quarter penetrates into a sealed soda can.

Chris Angel did this really cool “trick” on television,
and he’s put this really cool “trick” out on DVD.

That’s the problem for me,
it’s startling,
surprising,
impossible,
brain-smoldering,
impossible,
and impromptu,
but for me it’s still a really good “trick”.

There’s an implicit “so what” going on here,
why should anyone care about a can of coke and a quarter,
past the point of it being a very cool puzzle?

So, it’s a magic-trick, and a very good one,
but to me it’s just short of being Magic-al in nature.

This is not a good candidate for “storytelling” either,
it totally depends upon speed and surprise for impact.

So here’s an attempt at 175 casual words,
that might point it in the direction of a minor-miracle rather than a cool-trick.

Walt

“THAT HOUDINI”: A COIN-IN-CAN PRESENTATION

Houdini was that guy who could escape from anything…

They’d handcuff him,
nail him into a packing crate,
lower it into a freezing lake…
and he’d escape… like magic.

Houdini earned a lot of fame… a lot of money.

(take a coin from pocket or borrow a quarter)

A quarter isn’t a lot of money… but let’s say it’s Houdini.

(pull out and uncap a sharpie)

So, you draw an “H” for Houdini on the heads- side.
To verify you checked out his handcuffs, your initial on the tails-side.

(put sharpie away, stare at coin)

Problem: we don’t have an ice-cold lake.

(inspired gets a coke from a vending machine or wherever)

That Houdini was pretty nuts… or pretty smart….
trying these risky and impossible things.

(slaps coin on bottom of the can)

Vanished!
Wonder if he’s in that freezing lake?

(gently shakes can, coin is heard to slosh)

Wow, seems maybe he is!

(Pop top of can, empty liquid)

Yep… something’s in there anyway.

(rattles empty can with coin inside)

Hey, here’s the can,
look inside…
did Houdini survive?

(hands spectator can, they look at coin through top)

Looks like your initial on there too?

(spectator removes coin from can)

Wow that Houdini…
the guy who could escape anything!
Keep the coin, to remind yourself of magic…
in case you ever need to break out too.

© 2006 Spellbinder Entertainment

Friday, January 27, 2006

WHY DOES THE WORLD NEED MAGIC?

Why Does Our World Need Magic?

I expect few performing magicians ask themselves “why” they do magic,
why they became interested in magic,
and why they choose to practice this unusual form of entertainment.

I suspect even fewer magicians have asked themselves “why” does the world need magicians or magic shows.

There’s some quote about the unexamined life not being worth living
…and I’d venture that the same holds true for the unexamined profession.

As an actor, director, performance artist, coach, author, consultant, and yes… magician, I’ve come up against, and tangled with, this question perhaps more than any other. Why do this?
Why perform?
For who?
For What?

I’ve created a professional credo for myself,
now whenever an opportunity arises to perform, I now simply hold my credo up in my mind’s eye, and hold the potential show up next to it
…. if there is a match I accept the booking,
if there is not a match I pass it along to a colleague magician.

So why do I do Magic?
I’ve delved into the meanings of four words,
and they seem to hold the key to my performing credo.
I entertain in order to:
Inform, Inspire, Enrich, and Empower, those who’s lives I touch with my magic.

Here are my four words, and their meanings for me as a performer, in more detail…
The Objectives for Spellbinder Entertainment’s Performances & Events:

INFORM
-To impart information to; make aware of something
-To acquaint with knowledge of a subject
-To give form or character to
-To imbue with a quality or essence

INSPIRE
-To stimulate to action; motivate
-To fill with enlivening or exalting emotion
-To affect, guide, or arouse by divine influence
-To draw forth; elicit or arouse, affect, or touch
ENRICH

-To make fuller, more meaningful, or more rewarding
-To add to the beauty or character of; adorn
-To make rich or richer
-To add nourishment to

EMPOWER
-To promote the self-actualization, or influence of
-To equip or supply with an ability
-To support or enable
-To invest with power

I know I won’t be able to meet all (or perhaps any) of these objectives every time I perform, and maybe it’s good enough just to attempt these goals as I also entertain my audiences.

I also know that no other magical artist or performer will have the same motivations and objectives as I’ve developed over my years of doing this.

The important thing (for my money anyway) is that I’ve thought about the “why” of who I am as a performer and the “why” of doing this professionally.

And that brings me to the second question:
“why” does anyone hire me, or more broadly,
why does the world need magic?

I’ve thought about that long an hard as well.
We live in a tough time, historically there has never been so much technology, so much information, such instantaneous communications, all making for a seemingly much smaller and more intimate world.

When a natural disaster, a personal tragedy, or an international war happen, we are informed about it in almost “real time” …we are in fact bombarded with information and images of horrific proportions… almost against our will.

We also live in a truly exciting, but also truly frightening time in history.
The stakes are higher than ever for an adult in our world.
The pressure to perform, the pressures to catch up with business and technology, the pressures to juggle personal and company budgets, relationships, and commitments.

We are on the go almost 24 /7…
and what feels like 365 days a year…
answerable to a dizzying hierarchy of people and circumstances both professionally and personally, all the while juggling our personal demands with those huge violent terrifying global images of the media.

Many, if not most of us wish we could hide under the covers in bed until it all goes away, or at least calmed down to a manageable roar.

Here and now in the 21st century, we grown-ups seek the safety, sanity, peace, and innocence of our lost childhoods more than ever before.

And more than every before I believe, we adults need….
may I say…
desperately need,
the security of once again believing in Santa Claus, the Easter Bunny, and the Tooth Fairy.

Allowing ourselves the fantasy, if for even a few moments,
that maybe unicorns and leprechauns can and do exist in our world,
is not only a comforting thought, but perhaps a necessary one as well.

For in a world where most of the terrors of hell
( which we once thought only lurked under our beds at night)
have been loosed upon us…
the hope that Magic also exists,
and can perhaps save our collective sanity is comforting to say the least.

Some of my best audiences are the offices of those barracuda-style cut-throat lawyers who argue insane laws in cold calculating courtrooms for a living.

Because when they are finally allowed the luxury to wind down, to let their guard down, to forget their high-toxicity careers, they begin to transform into ten-year-olds wearing their bunny slippers and hugging their wooly bears, right there before my eyes.

I can actually also see within those angry, frightened, responsibility-laden eyes, the eyes of a small boy or girl longing to be free, to be cared for, and to have the innocence and hope that long-ago belief in the Tooth-fairy can restore to them.

Our half hour of entertainment together is not merely a magic show, or a divertissement, but it is also the opportunity to once again accept the Magic of life as a tangible and real thing. And if Magic can be real, then the reality dawns that tomorrow might unfold in a better, gentler way as well.

We all need, and have always needed the “Magical” in our lives, and today that need to embrace and believe in magic and the magical is like a safety valve for our sanity, and a way to endure the madness of modern life.

I truly believe that this is in large part why the successes of “Lord of the Rings”, “Harry Potter”, “Star Wars”, and “Narnia” have been such a phenomenon over the past few years. We hunger for the fantasy and the spirituality that magic can bring back into our hearts, and our all to realistic, almost nihilistic lives.

Perhaps it is the comfort, hope, and relief that Magic and Storytelling can bring restore to people that has resulted in my successes as a magician. Last year I performed in eight states and two foreign countries, for about two-dozen corporations and almost as many private parties, it was a great year both artistically and financially.

I don’t think they booked Spellbinder Entertainment just to tell a few stories and perform a little magic.

I think they at least subconsciously needed a vacation from CNN and The Man, and Politics, and the Internet, and the pressures of work and life in general. And together we took a vacation to the long-ago and far-away, where it was sweet, and warm, and simple, and safe once again.

That is why I do magic,
that is why the world needs what I do.
I am able to turn off the lights each night feeling I’ve taken my training and talent and brought a little more than the mundane into the lives of my clients.

I hope more of my colleagues will also take the time to ask themselves “why”
and find out those meaningful and important answers for themselves.

Magically,
Walt

Friday, December 16, 2005

Exactly WHAT Do You Call THAT Magic?

Like the “meaning of life”, or
the “chicken or the egg” , or
the “identity of Erdnase”,
the challenge of concisely defining “Bizarre Magic” to the public
(not to mention the greater magic community)
seems a daunting, perhaps impossible task…
circuitous and endless as a Mobius Strip.

Below, I’ve tried to personally define the genre for myself,
attempting to be both succinct and inclusive,
and at the same time fairly broad in my classification!

And still remaining under 125 words
(fewer would be even better).

I not only think it is interesting, but vital,
as “bizarrists”
to be clear about the work we do,
so we can do it well.

I also believe it is as vital to be able to effortlessly enlighten
our potential clients and audiences, by defining our niche.

Therefore, I submit it would be a worthwhile project
to further clarify and define,
“who we are and what we do”.
In that spirit….Let the games begin….
_________________

"The genre characterized as “Bizarre Magic(k)” in the jargon of the magic community, is a style of performance-magic which combines diverse storytelling with dramatic magical performance.

The goal of Bizarre Magic is to entertain, by evoking within an audience a range of genuine emotions, through theatrical techniques and/or character development.

The narratives support (and are supported by) the magical occurrences, thus elevating the premises and performances beyond mere magic trickery.

Presentations may often utilize dark, ironic, or even frightening subject matter, as well as more fanciful, inspiring, or amusing themes.

The performance styles within Bizarre Magic may range from theatrically satisfying versions of classic magic presentations, to mindreading or mentalism, to haunting or séance scenarios, to demonstrations of psychic or metaphysical phenomenon."
_________________

Spellbinder Entertainment
"spinning tales and weaving enchantment"
Magic and Mystery - San Francisco - Nationwide

Thursday, December 15, 2005

“A Magician By Any Other Name?”

“A Magician By Any Other Name?”

We’ve tried to coin two new words to re-brand “bizarre magic”
I think they pair well,
and if they come into more common usage
may provide a broader base for traditional magicians and audiences alike:

Magical (adj.) Raconteur (n.): a storyteller who excels at recounting entertaining stories with style, wit, and charm whilst demonstrating mysterious powers to transform or enchantment.

But, “magical raconteur” is only part of a long term, ambitious, branding effort.

Unfortunately, the emotional meanings of “magician”
have become very ingrained in general culture as meaning:

-for children, usually young children only
-poorly executed magic, unrehearsed and unskilled
-someone who’ll humiliate me on stage
-least expensive form of entertainment when there’s no budget

The word is now counter-productive to almost everything an entertainer
who approaches magic as an art-form is attempting to accomplish.

While perhaps “magician” is the way into this art and craft,
it is no longer the word that defines a
“quality magical performer providing theatrical entertainment”.

I do use the words “magical” or even “magic” in my marketing,
but when describing myself,
I only use the word “conjurer”
and what I do as “conjuring”.

Wizard once again has a good connotation nowadays as well
(when compared to magician) thanks to popular literature.

-For a “magician” does “tricks” according to the public (and most magicians)
-Wizards perform “wonders” and
-Conjurers may “enchant”.

My main lecture for magic clubs is titled:
“Making your magic….. Magical!”
…most magic we see is many things today,
but not Magical in nature or performance.

I make a good income from this craft,
and I’ve learned from marketing it over time,
I can command and receive a good booking rate,
only because I am a Conjurer,
and a Magical Raconteur,
and not (as were my roots) a “magician”.

I do think it’s sad, very sad,
I do not think it is immediately reversible,
commercially and artistically “magician” is a dirty word.
“Bizarre” has become a confusing or misleading word.

Perhaps the salvation of what we try to do for the art here,
is in calling a rose by any other name.


Magically,
Walt
(Conjurer & Teller-of-Tales and/or Magical Raconteur)
San Francisco - Nationwide - Worldwide - Entertainment

Sunday, December 11, 2005

ICBM West Mini-Gathering February 2006!

ICBM - SAN FRANCISO’S MOST UNUSUAL MAGIC GATHERING!

With the Inner Circle of Bizarre Magick Grand Magus’ cooperation, we’re introducing an: ICBM West-Coast Mini-Gathering this Winter! (visit: www.SFMagicParlor.com )
It will take place in the world-class, top tourist destination city of San Francisco.

The dates are February 17th & 18th 2006 (with an optional day on the 19th) and it will all take place in the beautiful Nob Hill area of town! We’ve arranged for a few rooms in a Victorian Style Boutique Hotel, with rates between $69 and $99 per-night including your continental breakfast.

There is a Friday evening Social Hour & Welcome Banquet, a Full-Day of Round-Robin Workshops & Lectures on Saturday with a Buffet Lunch, Dealer’s Room, and a Gala Evening Stage Show Saturday Night.

There will be an All Star Cast of Presenters and Performers!
We’ve confirmed Robert Neale, David Parr, Joe Cabral, Diana Enright, Kardor, Joshua Kane, with more names on the way.

Space is limited, and the registration fee, including the lectures, workshops, lunch, and stage show is only $75.00 per-magi (discount for ICBM Initiated Members)!

On an Optional Sunday of activates, Special Guest David Parr will give his Magic Lecture ($25) for the first time in the San Francisco Area, Sunday will feature a Magician’s Brunch, a SF City Tour, and the SF Ghost Hunt (a haunted walking tour) at a 25% discount!

For updated information and registration visit:
www.SFMagicParlor.com

…. and remember, the early bird gets the magic wand!

ICBM West-Coast Mini-Gathering
Outer-Circle # 4 California ICBM Associates
______________________________________

FRIDAY, FEBRUARY 17TH
-Social Hour and Welcome Banquet

SATURDAY, FEBRUARY 18TH
-Round-Robin Workshops 9:00am - 5:00pm
-Dealer’s Booths 8:30am - 5:30pm
-Group Lunch 12:30pm - 1:30pm
-Gala Evening Stage Show 8:00pm (Public Invited)

An Optional Day - SUNDAY, FEBRUARY 19TH
-Magician’s Brunch & SF City Tour
-Special DAVID PARR LECTURE ($25)
-San Francisco’s GHOST HUNT-

Full Registration Donation: $75.00 (including Workshops, Lunch, and Show)
Stage Show Only Donation: $20.00 (seating is very limited)

Official Conference Hotel: (Request the Special ICBM Rate!)
-The Nob Hill Hotel, 835 Hyde Street (@ Bush) Hotel Telephone: 415-855-2897

Sunday, October 30, 2005

The Magical Raconteur Network - for "thinking magicians"!

Are you a “Thinking Magician” Too?
Is your Magic
Unique - Out of the Ordinary -
Professional Quality - First Rate Entertainment -

Then you may want to visit, explore, and
apply for Complimentary Membership on
THE MAGICAL RACONTEUR NETWORK at
www.MagicalRaconteur.com





"HEY, HOW'D YA DO THAT???"


“Hey, How’d Ya Do That???”

How, the younger magician asked,
do you stop the hecklers?
The kids, drunks, or just obnoxious spectators who yell:
“I know how ya did that!”
and “I saw that one before”
or ”I seen where you put da coin”
or “you call that magic”?

Often when I coach a magician -surprisingly often an experienced magician- or when I give a workshop, these same questions come up.

The performer is miffed and deeply disappointed that “they” did that during his act.

Well, let’s get real here, “they” did nothing, and “you” allowed it to happen.
Perhaps even gave permission for it to happen without knowing it.

It’s been over ten-years since anyone, drunk or sober, young or old, has said anything to disrupt my show, or interrupt my magic….. am I some kind of whiz-kid? No! I just learned a few techniques any serious “thinking magician” can learn too.

Sometimes at club meetings and lectures I’ve heard snappy one-lines, put-downs, and hot zingers shared and exchanged that can be “used against” the offending spectator or audience (in self defense of course) and this was the method of choice back in the supper-club days of the 1950’s when Bob Orbin could actually get away with insulting an audience. You can’t.

First, there is a simple fact that most magicians don’t get…
or are too fearful to get.
YOU are in charge of your show - your performance - yourself,
and your audience, once you step out on that stage.
Period.

Once the show begins,
it’s not the talent buyer,
the agent,
the spectator,
the caterer,
the D.J. or anyone else who has control,
it is -or should be- only YOU the performer.

If you give permission on a subconscious or psychological level, or if you attack first, or if you show you are passive, then and only then, can someone take the wheel and drive your show where you don’t want it to go.

Gee, that must take a lot of experience, and a lot of work!
Right!
And if you’re not wiling to master both,
do audiences and agents everywhere a favor,
and get out of the business.

So, first step:
Take responsibility!
Own your show, own your audience.
But, what’s the real “secret”?

Well- No one likes to be tricked,
no one likes to be fooled -not really-
and no one likes to be insulted, joked about, or put down.

This is what usually gets a potential big-mouth going, they are simply getting on the defense, to “get you before you can get them”.

So another tactic is to only “kid kindly” or better still, take all audience directed jabs, sucker tricks, and spectator gags OUT of your shows.

“Walt’s Golden Rule”
-if it belongs in a bathroom, it never belongs in your act-
(I know you toilet-paper and plunger-trick folk will have a hard time hearing that, but it is true.)
Bad taste begets bad taste.

But, gee…. what is your REAL secret!
Well, it is all about psychology and how people are wired.

There’s one side of our brain that is analytical-
the side that can do the tax forms, balance the checkbook, read a map, and do crossword and jigsaw puzzles.

Then there is the creative side of our brain-
that’s the part that craves chocolate, falls in love, writes fiction, paints sunsets, and believes in the tooth-fairy.

If one does what we can call “traditional” magic,
-that’s jumping from one trick to the next only connected by “patter” and one-liners- no matter how clever we are, or how slick our technique is, the audience is leaning to the analytical side of their brains and they are going to try to see what you’ve done and how you’ve done it….
See, they are in that puzzle solving mode.

However, if we weave a fascinating story, or elicit any strong emotion, or all agree to “make-believe” -the audience can slide over to the hopeful, creative, believe-in-Santa side of the brain, and are too busy FEELING and IMAGINING and PLAYING and ENJOYING the experience to question how you did it, or even that it could be trickery.

Now I’m not saying your act has to be heavy or without humor, it can be highly comedic, even silly, but it must steer the collective minds to that “once upon a time place” and not “the IRS is coming to get me” place.

Next time you see a big illusion show,
note, that if the performer is really good,
and he does a really fine levitation,
the audience as a whole first falls into a hush,
then sits back mouths drooping,
and then as she floats, takes in a tiny gasp of air,
and exhales with a Haaaa!
But also note,
that if the magician then picks up a damn hoop,
and starts to pass it of the floating lady to
“prove there is no support or strings”
that same audience, leans forward,
squints and looks all around the levitated assistant,
and holds their collective breath for a few moments.

As soon as that hoop move is made,
they tip from the “it’s beautiful magic” brain-half
over to the “how the heck does she stay up there” brain-half.
Really, you can truly check this out for yourself next time.

“Walt’s Other Golden Rule”
-If YOU accept the “truth” of your magic, so will THEY.
If you have to “PROVE” the magic, they WON’T believe in your magic-

When your audience gets into the “how did you do that” mode, it’s hard to pull them back again. But if you can weave a spell with actions and words you’ll be amazed to hear yourself say: "No one ever asks me “how did you do that”!

I've found that the polishing of a strong story, goes hand in hand with never having to hear that kind of comment again. If a magician is skillfully presenting his magic as “theatre” rather than “stand up”, he becomes a performance-artist, rather than a finger-flinger.

No one would ask the actor playing Hamlet "how did you do that" after the play. They accept the ghost and the murders as "theatre" and in doing so are moved by the drama -not the special effects.

Same with us,
if our magic is infused with the drama of the human condition,
the passion of human emotions,
and a polished, professional theatricality....
it stops being "tricks" forever,
and starts being something much more powerful and beautiful.

So, this is my secret,
and it is important to your magic as well,
because if you can entwine that storytelling talent invisibly with your magic, you'll become a wonder-worker, not a slight of hand guy.

Now it is not all black-and-white either, I wish it were.
There is a lot of experimentation and trail-and-error ahead, because no one is ever totally using just one side of their brain or the other.

Imagination is a gentle thing, and it is too easy to jar the mind back into its defensive mode. Perfecting this is a long and painstaking process.

Oh, it's worth it not to hear those "gee I saw you do that", "I know that one" comments anymore, but there’s hard work ahead.

We must never forget to look at our Magic
with ”audiences” eyes,
and not “magician's” eyes.
That means no "magic stand-tables" under the “antique artifact”
(it ruins the theatre)
and no badly painted box-tricks with the voodoo-tale.

I recently fell upon a website of a very talented
but young “alternative” and “thinking” magician.
He had a picture of himself (in Bizarre Character)
but doing card fans.
Can you see the disconnect in that photo?
That one little thing can take the viewer out of the
"this guy is an original and a theatrical performer" thinking,
and back into "oh, just another magician" thinking”?

Like magic, the transformation (over time) must be complete.

So, that’s why I don’t have to listen to hecklers any longer,
and why my audiences go home to have sweet-dreams
and disturbing-nightmares…

Magically, Walt

Sunday, October 09, 2005

MAGIC THAT INSPIRES - MAGIC THAT TRANSFORMS

Magic That Inspires - Magic That Transforms -
one week later, October 9th

"As is true with all art forms,
Magic must evolve and progress to survive;
innovate and transform to flourish.
Art that stagnates can no longer inspire or enthrall."

That was a quote from my journal, and probably the start of an article for some magic magazine as well.

While performing and lecturing in Europe this Spring, I attended a technically proficient performance by a young French magician performing in Paris. Though I speak no French other than “s'il vous plait” and “merci”, I was able to follow and understand every word of his act, because each and every phrase he uttered, I’d heard countless times at magic shows, and over and over, again and again during magic club performances.

He replicated the same tired lines, exactly the same “patter”, and parroted the same “now with my right hand I take the silk” presentation-style that has pervaded most magic since World War Two, replete with jokes from (at least) the early days of vaudeville.

It did not matter if he spoke French, English, or some alien tongue from Mars, precisely like his forbearers and mentors, he blustered his way though a totally unoriginal performance, poking fun at and disparaging his audience in the name of humor and entertainment.

“Thank god”, I thought, “that there are a few precious magical thinkers combating this tired, stale, standard approach to magic, who are brave enough to shine the lights of freshness, creativity and theatricality on the dimmed magical landscape of these past decades”.
I have my list of favorite magical thinkers, including authors, inventers, teachers, and of course performers.

Perhaps you can tell me who your hero is, who you think is moving magic away from the age of boring patter and painted boxes.?

Monday, October 03, 2005

DOWN TO BRASS TACKS…. AH, BOOKS!

Down to Brass Tacks.... ah, Books!
-post five-

These suggested titles, I believe, need to be in every “thinking magician’s” library. The list is in no way comprehensive or even balanced. The books are listed somewhat in my idea of order of preference, logic and/or importance:

“Magic and Meaning” --Eugene Burger & Robert E. Neale
“Classic Secrets of Magic” --Bruce Elliott
“The Amateur Magician's Handbook” --Henry Hay
“Our Magic” --Maskelyne and Devant
“This is Magic” --Will Dexter
“Neo-Magic Artistry” --S. H. Sharpe (Karr)
“The Magic Mirror” --Robert E. Neale & David Parr
“Tricks of the Imagination” --Robert E. Neale
“The Experience of Magic” --Eugene Burger
“The Performance of Close-up Magic” --Eugene Burger
“Shattering Illusions” --Jamy Ian Swiss
“Okito on Magic” --Theodore Bamberg & Robert Parrish (‘72 ed)
“Germain The Wizard” --Stuart Cramer (Karr)
“Servais Le Roy” --William Rauscher (Caveney)
“The Practitioner” --Eugene Poinc (Thaumysta)
“Scheherazade, Magical Tales” --Borodin (trans, Bill Palmer)
“The Art of Magic” --Carl Waldman, Joe Layden, others
“The Fitzkee Trilogy” (3 books) --Dariel Fitzkee
“The Success Book Series” --Jay and Frances Marshall, others
“The New Modern Coin Magic” --J. B. Bobo (Magic, Inc.)
“The Restaurant Worker’s Handbook” --Jim Pace & Jerry MacGregor

This list could keep a magician studying for a lifetime--
yet it is just a starting place.
Good luck, and good reading!
Magically,
Walt Anthony,
Conjurer & Teller-of-Tales

Sunday, October 02, 2005

WHAT MAKES A MAGICIAN AND WHERE DO WE COME FROM?

WHAT MAKES A MAGICIAN AND WHERE DO WE COME FROM?
-October second, 2005-

Beginning magicians with a fresh interest in magic assure the continuation of our magical craft and this ancient performance art, that is an important and good thing indeed!

After all the word “amateur” is derived from the Latin and French meaning “for the love of” … doing something just for the joy and satisfaction it brings. An amateur being someone who engages in an art or study as a pastime rather than a profession.

Let’s repeat that: “as a pastime rather than a profession”.
This is logical, as the tradition of magic is that of the elder master passing his knowledge (and eventually passing down his wand) to the apprentice, neophyte magician.

No student of the violin or oboe would watch a video or two, maybe join a music club for a few months, and then decide they were ready for their first public recital.

Even after months of reading and study, weeks of practice learning the classics, working hard with a teacher or in a class, it’s doubtful that our new musician would consider him-or-herself prepared to perform at a public event.

It could be years before their music had evolved enough to be considered at the professional or master level. It would certainly be a long time before they sought out gigs, and accepted payment for their services.

Yet, magicians just starting out, really believe the catalogue hype of “self working”, “no practice necessary”, and “easy to do”. They learn basic moves and slights, then parrot the old jokes and bad patter they’ve heard from peers or learned from instructions by rote.

They skip the time-honored traditions of study, effort, discipline, and mastery, and are hawking their shows within a few months of that first visit to a magic shop.

Let’s face it, anyone can get cards printed that claim “world’s greatest magician”, and anybody can slap up a website claiming to be “best magician in the business”… and unfortunately, hoards of newbie magicians do exactly that within their first few months in magic.

Unfortunate… because they are cheating both themselves and their audiences of the artistry the magical craft can offer. They cheapen the very heritage and reputation of the hobby they claim to champion.

Worst perhaps, they are souring the public by their inept magic and thus taking, quite literally, the livelihoods from the working professional magicians who’ve devoted a lifetime to earning their credentials.

Unschooled magicians gather in clubs and congratulate one another’s moves and slick new props, and support one another in the lie that they have any true proficiency in, or knowledge of, performance magic. Many stagnating before they’ve even started.

Many are one-man-bands, who do not grasp the basic necessities of seeking out the support and assistance of directors, coaches, writers, or at the very least a grounding in stagecraft and theatre. It’s all about “me” and “pick a card any card” tricks and babble.

But this is not where Magic came from, this is not why Magic is still a significant Art and of importance to each performer’s and spectator’s psyche.

What follows is basically my “Credo” about magic, and it serves as my company’s “Mission Statement” …the foundation I base my bookings and shows upon. These brief paragraphs illustrate for my potential clients and audiences what my Magic is all about, and these words also serve to keep me reminded of why I’m in this profession.

I hope, if you are new to magic… an amateur, learning the craft for” the love of Magic”, you’ll carefully read what I’ve developed over the years, and begin to work on your own vision of what your magic is, and what you would accomplish with your magic arts.

WHAT IS WALT ANTHONY’S STORY-MAGIC?

Since ancient days, people clustered in groups and invented stories to explain the unexplainable- the Seasons, the Elements, the Stars.

The Stories, Fables, and Myths which arose were filled with Wonder, Magic, and Healing, and provided a foundation upon which a people explored their beliefs.

Shaman Priests, Druid Teachers, and Wise Women all understood the power of the Spoken Word- while in our time, “entertainment” is epitomized by canned-comedy on television-
the gulf has widened between our amusements and our inner truths.

At Spellbinder Entertainment we recognize the necessity of re-introducing these ancient forms of amusement in a new guise.

Why can a movie, with plot-twists and special-effects, move us so deeply when most live entertainers move us only to laughter-
if they elicit any emotional response at all?

As a contemporary conjurer, Walt Anthony combines the Art of Magic and the Art of Storytelling to evoke for today’s audience a sense of Astonishment, Emotional Intensity, and Wonder- things lost to many of us since childhood.

The united powers of Myth and Magic, can take us on a kaleidoscopic journey of feelings and experiences. They hold a mirror to our mind, and reflect the truth of the Human Experience in the form of entertainment.

Our presentations transport our audience to another world -called Imagination- and on this journey reveal the Truths of the Heart, while Magically entertaining the senses!

© 2000-2005

Saturday, October 01, 2005

A LITTLE ABOUT MY PHILOSOPHY OF PERFORMANCE MAGIC...

A little about my Philosophy of Performance Magic…
And my answer to the Question: “Is Magic Real?”
-This first day of October 2005-

Jean Eugene Robert-Houdin commonly called “the father of modern conjuring” (more on that statement another time) anyway Houdin said, or has been translated from the French as saying:
“A Magician, is an Actor, playing the part of a Magician.” It seems he found a intimate kinship between the craft of Acting and the art of Magic.

His statement implies that a performance-magician should, as an actor does, create a character to portray during performance… and like an actor a magician should endeavor to portray a dramatic, believable, committed “reality” on his stage. Or as another master of performance, William Shakespeare said: “to hold as ‘t were a mirror up to nature”.

Creating a believable “magical” character, who in performance then presents the ensuing segments of magic as “real” does not mean I want my audience to go home thinking I can talk to the dead, command daemons, or summon spirits to do my bidding.

But, and this is a huge “but” for me, during my performance I want my audience to “suspend their disbelief” just as they agree to do when they enter a theatre to watch an actor in a play.

The audience, in attending the play has “agreed” to, for those few hours only, believe that the actor is truly Prince Hamlet or Lady Macbeth, and that the murders and gore are real as well, all during that “live” time on stage.

I “set up” my show (supported by the character of ‘magician’ I am acting) so that my spectators can drop their sophisticated-adult guard, and for a few moments “believe in the Easter Bunny, Santa, and the Tooth Fairy” once again. In other words, accept the stories I tell, and the magic I give them as real…. as real as the fake swords and stage-blood they accept during Hamlet!

I do not care that the moment the lights come up, as soon as they leave my show, when they are on their way home, they are aware that I was “just” a stage performer doing “tricks” and telling fantastic tales, in fact I prefer they see in me just my stage skills and not some supernatural powers. That however, is before-and-after my show, during my time with them I want them to accept me and my magic as totally real… to truly make-believe with me in a committed way.

Why is it of utmost importance to me for my audience to accept magic as a possibility, perhaps even a reality, during our time together? One answer can be found in one of my favorite quotes, one which I use a great deal in my marketing and sales presentations.

It’s something I once read in “1001 Arabian Nights” and something I personally believe with all my heart: “People need stories more than bread itself… they tell us how to live… and why.”

One of the first lessons an actor learns is the truth that: “if you believe, then they believe”. If the magician believes (on stage now) that the magic in his show is real Magic, then the magic not only appears more “Magical” in nature, but the audience’s ease in their “suspension of disbelief” is directly influenced by the performer’s ability and dedication to the “reality” of his Magic.

I think most of us would be uncomfortable at best, and horrified at worst, if we found we could in reality… truly make even a nine-inch square of red-silk appear and vanish at will… imagine the difficulty in believing you could cut someone in half and restore them, or make someone defy gravity and float over the stage!

It takes courage to believe (as an actor) in our own Powers and Magic, yet this is the only technique we have to allow our audience to believe the unexplainable. We must have the steadfastness to show them that we’re right in there with them, believing with all our might.

With this as my professional performance goal, I find I have many potential and past audience members wondering what I’m up to. So many of my clients ask, IS magic real???? And this is what I tell them, and this has paid off in repeat bookings:

IS THERE REAL MAGIC?

Of course, magic is everywhere! But, seeking Real Magic has almost become a forgotten pursuit, much magic has been lost in modern times, being relegated to fairytale and myth.

What is Real Magic? It is the willingness to put aside our habitual viewpoint of “how the world should work” -and believe, if only for a few moments- that the impossible can be possible.

In childhood everything was unknown, so everything was magical. We simply “believed” -so I encourage you to believe that even the most improbable wish sometimes becomes magically achievable! When one nourishes that level of imagination- that person is transformed into a Magician!

So you see, I don’t perceive audiences as “ordinary people” -I know them to be Colleague-Conjurers- because each one brings their own special Enchantment into the world.

Long ago, vagabond entertainers would wander from village to village, sharing news from everywhere they journeyed. These were the people that both townsfolk and nobility relied upon to learn what was happening in their world. These performers included troubadours, jugglers, tumblers, fortunetellers, and poets -some of these Story-tellers were also Conjurers- and were called Bards.

We’ve drawn upon this noble ”Bardic Tradition” to create Magic Performances which are both entertaining and inspiring. We use storytelling to mirror issues people rarely consider- but concerns that are universal to everyone- young or old, rich or poor, here or there in the world.

At Spellbinder Entertainment we closely weave stories, legends, and fables, into Classical Magic to allow our audience to experience the Real Magic within themselves, and as a result grow to be inspired and empowered.

And that is why our slogan “Spinning Tales and Weaving Enchantment” so clearly expresses what our Spellbinder Entertainment events are all about!

Friday, September 30, 2005

WHERE ARE THESE "THINIKING MAGICIANS" AND HOW DO I FIND THEM?

Where are these “Thinking Magicians” and how do I find them?
On this last day of September 2005

We’ll scratch the surface by starting to outline some of the more visible places you’re bound to find other “Thinking Magicians”. Today there exists a magnificent library of books on theatrical and “bizarre” magic thanks to innovative publishers including The Miracle Factory’s Todd Karr and the Hermetic Press among others, in the future we’ll suggest a longer list of suggested books and publishers. The workshops presented by Eugene Burger and Jeff McBride in Las Vegas as “Master Classes” have polished many a performer, as have those in Canada with Bob Fitch.

There are web-groups, news-groups, individual performers, networks, and organizations all dedicated to bringing Magic to the level of Art and respect it once earned.

Springing from one of the oldest groups, is an annual Gathering in Edinburgh Scotland. The ”ICBM” (Inner Circle of Bizarre Magic) sponsors a Gathering on the East Coast of the U.S. every November. A more arcane, senior, and worldwide Circle is the “Eternal Order of the Immortals” of a strangely mercurial nature and membership. The original “Mystery School” which ran for some eleven years heightened the visibility of the organic practice of magical performance, as did the “Weird Weekends” a few years back, and the “Meeting of the Minds” produced by the PEA (Psychic Entertainers Association).

The ICBM runs an invitation only Newsgroup, and the standard by which all others are measured is the “Shadow Digest” started pre-internet days by Tony Andruzzi and perpetuated electronically under the watchful eye of Brother Shadow. The UK’s “Dragonskull” website by Karl Bartoni provides a deep well of information and reference.

A new online Network of professional entertainers has recently emerged, they define themselves as Magical Raconteurs thus covering all the facets of “Thinking Magic”, and they are open to accepting new members.

Here’s their link, and I feel of interest, how they choose to define “Thinking Magic”!

http://www.magicalraconteur.com/

Who are the Magical Raconteurs?

Magical (adj.) Raconteur (n.):
A storyteller who excels at recounting entertaining stories with style, wit, and charm whilst demonstrating mysterious powers to transform or enchantment.

We are an international alliance of Professional Storytelling Magicians, who provide a wide spectrum of emotionally evocative entertainment, including Theatrical Magic Performances, and unique Magical Performance Art.

Entertainment Vastly Different From Conventional Magic!

Once entertainers, troubadours, storytellers and magicians wandered from town to town bringing news, stories and their skills to entertain and delight.

We’ve rekindled that storytellers art to entertain today’s sophisticated audiences. Magic and Story in our entertainment go beyond the mainstream magician's “tricks and glitz”.

Our Magical entertainment weaves timeless stories and mythos together allowing you to experience Real Magic, to become involved on an emotional level, and inspired or empowered, as well as highly entertained.

Sometimes called “Bizarre Magic” by the traditional magic community, our magicians can encompass many entertainment forms including: Gothic Magic, Storyteller Magicians, Mindreading or Mentalism, Psychic Entertainers, Haunted Magic, and Evocative Magic.

Whatever variety of Professional Magical Entertainment you choose, it will be unique, unusual, and far from the mundane!

Thursday, September 29, 2005

A PREMISE AND A BEGINNING

September 29, 2005
A premise and a beginning:


A “Thinking Magician” rejects the limits and clichés of today’s trite and stale ideas of what a “magician” is, or how “magic” is to be performed.

Along with technical skill, a Thinking Magician uses creativity and imagination, to perform “outside the box” championing the original and theatrical.

Whether Theatrical Magic, Bizarre Magic, or Story Magic, this form of Performance-Art raises the magical craft above the mundane, immersing our audiences in an emotionally rich and dramatically satisfying performance environment.”

© 2005 Spellbinder Entertainment

This Blog was created with the belief that the above statement is true. Both regarding the state of our craft today, where our “magic” has lost its “Magical” significance and origins, and with the understanding that more magicians are choosing finally to approach performance magic as an art-form.

We will contribute, and also invite, imaginative and supportive discussions and contributions that can ignite the imaginations of “Thinking Magicians” world-wide.

Walt Anthony, Conjurer & Teller-of-Tales Posted by Picasa